Lake Superior Magazine

Lake Superior Journal

by James R. Marshall


Jim Marshall

 Elsie’s Incredible Life

MAKING AN IMPRESSION
ON ISLE ROYALE

A lady - a beautiful lady - a totally beautiful Norwegian lady - a most appreciated lady - and join us for a few minutes to celebrate this lady’s 91st birthday!

Okay, you’re on board … Step back with me to old Duluth in the year 1907. Stand with me in the muddy street, helping me decide which is mud and which is the fresh by-product of the hundreds of horses providing our transportation. On this bright day, a little girl, Elsie, has been born to Ivan Kohler Melby’s family.

Elsie MelbyHer growth matched the dynamic growth of Duluth through those exciting years. Timber, iron ore, shipping and railroads yielded good work and financial rewards as the century grew.

Ivan was manager of the Carnegie Coal and Fuel docks, then located on the Duluth harbor west of the present Port Terminal. He and his 50 employees handled millions of tons of coal which arrived by ship and rail, fueling the furnaces of America’s western expansion.

Little Elsie’s aunt was married to Elling Seglem, a fisherman who made Isle Royale home for most of the year. The Seglems made a point of sharing each summer with one child from the families of each of their relatives, an event Elsie enjoyed several times as she grew up. Even though they slept in the fish net shed and learned many aspects of commercial fishing first hand, it was a glorious way to spend a summer.

Let’s jump to the very end of the rugged point on Isle Royale which frames Siskiwit Bay - a tiny collection of buildings, homes and fish shacks. The Seglems and the Rude families share this tiny inlet.

The year is now 1917, it is summer, and young Elsie Melby is spending the summer here with her relatives. Elling A. Seglem had homesteaded this location, naming it “Fisherman’s Home” in the last years of the preceding century.

PAINTING BY HARVEY SANDSTROM
“Fisherman’s Home” on Isle Royale was painted by artist Harvey Sandstrom after regular visits to see Elling Seglem and Sam Rude.




Elling Seglem was a true quiet Norwegian. While his wife, Alida, enjoyed and nurtured conversation, he was known to be comfortable tending his nets and rowing his boat with only an occasional word. It was a very special day for Elsie when her uncle “E.A.” would find time to accompany the children on exploration trips along the beach, sometimes in company with her father when he came for a visit. Fishing, however, was Elling’s business, so it would only happen when the lake was rough to the point of being unsafe and then only after the nets were repaired. Elsie still remembers, saying, “Oh, how those few special days were treasured.”

On the end of the point was a spot where the children could play amongst the rocks and boulders that had been left scattered about when the glaciers had receded. On one, “E.A.” had chiseled his name, with three different dates: 1917, 1919 and 1920. On this particular day, little Elsie asked for the chisel and hammer, laboriously adding her name “Elsie Melby” to the huge boulder near the end of the point. She still remembers - in 1998 - the deep satisfaction she enjoyed as she stood back and admired her handiwork.

Going to Isle Royale shortly after school let out in the spring was an exciting summer ritual. Elsie remembers the fun of trips on the steamer America and the many stops it would make as it traveled along the Minnesota north shore between Duluth, Isle Royale and Thunder Bay, Ontario.

She would make the trip with either her mother or her father. She fondly remembers the exceptional food and the friendly crew. It was quite an event getting ready to get off into one of E. A.’s skiffs. The America was 180 feet long and far too big to enter the little harbor at Fisherman’s Home, but the schedule was well known and the whistle blast announcing its arrival off the little harbor was a weekly event.

PAINTING BY HARVEY SANDSTROM
Elling Seglem chisled his name in the rocks at Fisherman’s Home on Isle Royale. Young Elsie left her mark, too. After Harvey Sandstrom painted the scene, Elsie signed the painting.





Salted or iced fish would be hoisted up to the waiting deck crew and willing hands would accept the young visitors as they were handed down. The America’s dual role of commerce and transportation was the heart Lake Superior’s north shore existence. The first road along the north shore finally reached the border in 1923, but the bridge over the Pigeon River was not completed for several years.

As part of the summer visit, the children of Fisherman’s Home became skilled in handling small boats. The danger of the lake and its many moods were often discussed, and generally understood.

If the weather was nice and the wind almost still, they could go exploring in one of the many small boats kept in the tiny harbor.

On a particularly beautiful July day Elsie and Rolf Bergeson set off in a rowboat to explore the wild and rugged shore along the southwest side of Isle Royale.

Taking a picnic along, they took turns rowing and discussing the many impressions of sites they were finding along the rocky coast they moved past. Only as the sky suddenly darkened did they realize that a squall was approaching. They watched in amazement as the placid lake turned angry and dangerous in a span of only a few minutes.

“Rolf,” Elsie cried. “Row hard for that little beach!”

As the little boat grated onto the wave-whipped beach, they both jumped out. “Let’s pull the boat up to safety,” Elsie yelled, grabbing the gunnel of the little rowboat, as did Rolf. In a moment, the boat was safely high and dry and they sat down by it to wait for help.

Fisherman's HomeAs the stormy lake relaxed, the calming waters soon bore a larger boat with several concerned parents aboard. Seeing the youngsters safe on the sloping beach with the safely stored boat, the adults heaped many positive compliments on the young explorers. To have done what she had been trained and advised to do - “Get off a stormy lake” - earned Elsie a level of respect which followed her through her entire life.

As she grew older and moved on to a business career that led to owning a major lumber company in Duluth, Elsie maintained contact with her relatives and with Isle Royale. Still later, another recognition was awarded when Elsie was named Norwegian Consul.

While she maintained the Consul office in Duluth, she spent two years in Norway that included a memorable lunch with King Olaf. She was advised not to offer to shake hands with the King, unless he offered his hand first, but as he came up the stairs he reached out to her. She was almost overwhelmed. Elsie took his hand while staring, she now remembers, at him in total shock. She was looking, she recalls, not at the king, but at her father, who had passed away when she was 15 years old. The jaw, cheeks and expressive eyes - every part of the king’s face - were mirrors of her father.

This led to the king spending a major part of the luncheon conversation asking many questions about Elsie’s family and established a lifelong friendship she still treasures.

Long an avid cheerleader for the Norwegian influence in America, Elsie is also proud to have been a supporter of the Vesterheim Norwegian American Museum in Decorah, Iowa, a major repository of the arts and crafts brought from their homeland by the thousands of Norwegian immigrants to this country.

So, pause with us now and wish this incredible lady a happy 91st birthday. Join with us as we contemplate the many accomplishments of her fellow Norwegians in establishing their presence here. It is yet another footnote in this history of our lake, and all of its wonderful people.

LSM

Editor's Note: This story was written in 1998. Elsie Melby was 93 when she died on August 7, 2000. 

 

About the Artist

Many years after Elling Seglem and Elsie Melby chiseled their names into the boulders near Fisherman’s Home, Harvey Sandstrom, one of Duluth’s most gifted artists, made Fisherman’s Home a regular summer stopping point, enjoying the hospitality of the Seglems and the Sam Rude family, who also fished out of this location. Finding the two named rocks, Harvey created the painting we share with you here.

While Harvey’s work is widely known and highly respected, one of his relatively early accomplishments is somewhat obscured by time and his natural reticence. In 1954, Harvey Sandstrom entered the Federal Duck Stamp competition, winning it with his rendering entitled “Ringnecks in Flight.”

Compared to the financial bonanza that a winning artist enjoys in this competitition today, Harvey’s rewards were modest. But even in those days, when the stamps were still printed in black-and-white, it brought his incredible talent to an appreciative world.

Feedback: jrm@lakesuperior.com

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